Margaret
Google
This is a great little gallery - which sounds condescending until I say that's comparing it with not only the NGV & NSW's, but also Bath, the Portrait Gallery in London and others.
I visited for the first time, and saw much of it fairly comfortably (for a not-in-depth, first viewing) in about 3 hours. I was going to do an 11am tour to get some inside info, but unfortunately the guide fell ill that day.
I really liked the groupings, there was often some additional info if I wanted to read it, and the galleries continued and extended my acquaintance with some of my favourites from other exhibitions, such as Theodore Gericault, Rupert Bunny, Margaret Preston, Grace Cossington-Smith, and Albert Namatjira. I was thrilled to come across a John William Waterhouse (Circe!), and pleased with new (to me) finds - Jeffrey Smart, Dorrit Black, and Nora Heysen. Given the subjects of some of Nora Heysen's still lifes, I suspect - with nothing to back it up - that she had a sense of humour. No-flash photography is permitted, so it was nice to catch a Lucien Freud for a friend who likes his. There is an enjoyable collection of Morris & Co. Collections on display included goddesses (many Indian) and the program encouraging Aborigional works, Too Deadly: Ten years of Tarnanthi. Being Tasmanian, I was amazed at the amount of Tassie-relevant art: from a portrait of Matthew Flinders to botanicals by Louisa Meredith to Gould and Glover, a little view of a house with a mountain behind ("That's Mt Wellington from the north!" and it WAS - how good is that painter?!), to Ricky Maynard's portrait photographs. Naturally, I ended my visit with a trip to the gift shop, and a coffee in the cafe. Both good.