Ramon V.
Yelp
History Lesson Alert! (Or: How Old Is That Ramon Dude Anyway?)
It's hard to believe that this building was opened 60 years to the month before I first set foot in here. So much history was consumed by this dance floor that I couldn't even begin to imagine the wealth of talent that has come and gone over the course of its lifetime.
It's truly one of the great venues in this city. For me, the Commodore defined concert-going as soon as I made it a habit of going to shows.
And did I ever.
Starting with The The at the end of '89, my memory can only offer a brief list of all the shows I have attended. Nitzer Ebb, Pre-Nevermind Nirvana opening with the Doughboys for Screaming Trees, Inspiral Carpets, Blur, Skinny Puppy, Sugarcubes, Happy Mondays, Mudhoney, Catherine Wheel, House of Love, Primal Scream, Paul Weller, Consolidated and Meat Beat Manifesto (amazing), Jesus Jones, Ned's Atomic Dustbin, Nomeansno, Lush, Pop Will Eat Itself, Ministry, The Pixies (several times), 808 State with Meat Beat Manifesto (again, amazing), The Toast to Coast 1040 party, Stereolab, Mr Scruff, Peter Bjorn and John, Ladytron, Broken Bells, Cut Copy with the Presets, Jarvis Cocker, Deerhoof, Blonde Redhead, Destroyer, OMD, And DOZENS more.
I am missing so many, and I would have a very difficult time trying to recall them all. And I'd do anything to re-live every single one of those shows.
In the midst of all that, there came Disco Night. For $2 you could shake your groove thing all Tuesday night long. And if you dressed the part, it wouldn't cost you anything.
Appreciation for the Commodore became painfully evident when they closed in 1996, starting a few years of concert doldrums for me. But all was well again when they renovated and re-opened in 1999 and started picking up right where they left off.
I've given up more sweat, blood and bouncing energy here than a year's worth of 6-year-old's birthday parties at Crash Crawlies.
It's thanks to the Commodore that there is a concert venue for shows up to 1000 fans who want to get as close to a band as they'd like to brave. And what a venue it is, with its spring-loaded floor, large unobstructed viewing, classy art-deco interior, and incredible location.
One wonders if all the ghosts that dwell between the cavernous walls are still enjoying it as much as we are.