C. A.
Google
The museum presents a modest selection of Miró’s works across different media, alongside contemporary pieces influenced by him. Visiting during the island’s off-peak season meant fewer visitors, and Son Boter (Miró’s house) was closed. The highlight is unquestionably Miró’s studio, preserved almost exactly as it was in the 1980s.
Overall, the exhibitions are average, but the operations team would benefit from better training. During my visit, the staff member in Miró’s studio took a loud phone call lasting over half an hour and did not activate the projection room, which felt disrespectful to this core site of Miró’s creative life.
The souvenir selection is also limited, likely due to copyright restrictions held by the Fundació Joan Miró in Barcelona, resulting in few compelling reproductions.