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Lakshmana Temple
This Lakshmana Temple is dedicated to the Vaikuntha form of Maha Vishnu. So called after Lakshavarman, the king who constructed the temple. The sanctum enshrines a three-headed and four-armed image of Vishnu as Vaikuntha with a human central head and the side-heads of boar and lion (Rajoguni, Varaha and Narasimha). Vishnu’s ten avatars and fourteen out of twenty four forms of Vishnu are also represented around the Vishnu Deity’s image.
ARCHITECTURE
This is the earliest best preserved temple of the mature Chandella architecture. The temple stands on a high platform and retains the powerful processional friezes. It is a Sandhara temple of the Panchayatana variety and consists of principal elements of a developed temple viz. mukha-mandapa (entrance porch), mandapa, and maha-mandapa with transepts. Antarala and grabha-griha enclosed by an inner ambulatory with transepts on the sides and rear. Unlike other temples. its sanctum is pancharatha on plan and its main sikhara is clustered with minor sikharas. The wall portion of the temple is studded with balconied windows having ornate balustrades. The jangha portion is decorated with two bands of graceful sculptures, which includes the divine figures, couples and erotic scenes adorning the wall surfaces. The sanctum doorway is of saptasakhas. The central one is decorated with various incarnations of Vishnu. The lintel depicts Lakshmi in the centre flanked by Brahma and Shiva. The upper lintel frieze shows the Navagrahas in niches. with a huge image of Rahu. The sanctum enshrines a three-headed and four-armed image of Vishnu as Vaikuntha with a human central head and the side-heads of boar and lion.
The base platform depicts hunting scenes, soldiers armed with a wide variety of weapons, processions of elephants and horses, erotic images and other representations of domestic life. This is the only temple where the four subsidiary shrines stand intact and the only one to have such wonderfully preserved sculptures along the platform facades. Finest examples of medieval art adorn the walls of this temple with the apsaras and surasundaris, dancing, playing musical Instruments, adorning or attending to deities, the mithunas and the gods and goddesses like the dancing Ganesha are among the finest.
The pillared hall leads to the Sanctum Sanctorum, whose doorway is richly carved with sculptures. The Circummambulation path/pradakshina has finely carved sculptures portraying scenes from the life of Krishna, the eighth avatar of Vishnu.
HISTORY AND INSCRIPTIONS
King Yasovarman (930 – 950 CE) was a Chandela Dynasty military genius. The Khajuraho records prove with an unchallenged authority over the whole of northern India from Ganga Yamuna doab to Dakhina Koshal. He was obtained the Vaikuntha image from Pratihara king Devapala. He constructured the Lakshman temple (dedicated to Vishnu) and installed Vaikuntha Vishnu image in it.