Don B.
Yelp
Back in September of 2020, Peg and I were stir-crazy, so, COVID-19 be damned!!! In a deliberate act of defiance to the gods and goddesses of all things viral and infectious, we journeyed forth to The Big City to visit the McNay. The purpose was to visit two exhibits, one for Peg--"Fashion Nirvana"--and one for me--"Hollywood's Sistine Chapel."
Well, the viral deities must have exacted their revenge by commanding my computer to secret the photos in an obscure file--out of sight, out of mind. However, Gentle Reader, during my annual file purge they resurfaced and it's now my pleasure to finally share them with you.
We arrived at the McNay in the midst of a renovation of the parking area. But confusion was averted by plentiful signage, although there were a few waits due to machinery blocking our path. No big deal, just a chance to take in the wonderful scenic grounds while waiting.
Entering the museum we were very pleased that masks were required and other protective measures were in place. Doors were opened for us by masked and gloved employees. Being Members of the museum, we were admitted without having to go through the usual ticketing process.
"Fashion Nirvana" was located in the large exhibit hall near the entrance, so Peg made a bee-line for it. Except for one piece, the exhibit was dedicated to women's clothing. It was subtitled "Runway to Everyday," so classic lines and styles were well-represented. But the fabrics and colors would beg the question if they were indeed "everyday." The one piece that was menswear was a bathing suit by Jean Paul Gaultier with fabric designs inspired by the works of Frida Kahlo. Peg loved everything (she was an Interior Designer) and kept kidding about seeing me in Gaultier's bathing suit. Hmmm--I think not!
Next was Hollywood's Sistine Chapel," an exhibit of large canvas panels used in the movie, "Shoes of the Fisherman," with Anthony Quinn. In the movie, Quinn plays a Russian Catholic Archbishop who was freed from imprisonment in a gulag and subsequently elected Pope. Representing the Sistine Chapel was a requirement and these were the panels that were used. All were huge and having been to the actual Sistine Chapel, I was amazed at the accuracy of the paintings. The colors are not the same but this was purposefully done as color imprints differently on film than it does directly on our retinas. The discrepancy in colors allowed a more faithful capture on film. I saw the film when it was first released in 1968 and it's stuck with me all these years. So it was meaningful for me to see these "pieces of history" in person. The only sad thing of the day was the lack of patrons; we saw only two couples during our stay but that was understandable seeing as it was a weekday.
The McNay remains among our top five museums in Texas; indeed, in the South. It's an old friend from my childhood that inevitably rewards every visit.