Wilson B.
Yelp
I want to start by saying that I believe I have an above average memory. I begin by talking about me because I had visited the museum before "about seven years back," and I honestly don't remember too much of the displays.* I attribute that the Museu being a living, breathing museum. Changing and adapting. For instance, I don't recall the bold message repeated in black and red on the side of the building. I translated it to mean, "Never again, will we work as slaves." That translation, or rather interpretation is from someone of descended from enslaved Africans. Someone else may translate it to simply mean, "Slave labor, never again." I was furthered moved by seeing Afro Brazilians of varied hues pose for pictures in front of this message.
Other element which was new and news to me was the work of Sidney Amaral. Sadly, I got to appreciate Sidney Amaral's work just as I learned of his untimely death.
Another Brazilian's work I enjoyed was that of Heitor do Prazeres. His work along with the works of Antonio Rafael Pinto Bandeira and the collection of mid 20th century album covers resulted in the most pictures taken by me.
After seeing a picture Benjamin de Oliveira. I learned that there is a statue dedicated to O Palhaço Negro. A statue which was unfortunately vandalized, in 2017. That's a whole lot to unpack right there and I will do that some other time.
In lighter news, I can know say that I am familiar with the music of Elsie Houston. She is someone presented as a famous Afro Brazilian which I would have never known of if it wasn't for this return visit.
Though known as the Museu Afro Brasil, once entering, almost immediately, you see works from Haiti and Manuel Mandives de Cuba, and this shows you that the museum is very Diasporic in its approach. West African art and religious talisman are curated along with East African photographs.
Lastly, my favorite element of the Museu Afro Brasil is that I believe it presents the African Diaspora in Brazilian terms. It is not like an African American museum from the U.S. translated into Portuguese, nor is it Black Museum spotlighting noteworthy Brazilian Afrodescendants. I believe the story is Brazilian's to tell and they tell it in their terms. I look forward to returning to see if the museum continues to grow and if more radical narratives presented. That is what keeps me from a 5 Star review. 4.5 stars for now and I will hopefully make it back sooner, rather than later.
*When the ancestors speak, they speak. Vanity 6 "If A Girl Answers (Don't Hang Up)"