Provincial Archaeological Museum of Salerno

Very nice museum with well put together displays, except the entrance/yard pieces that seem a little unkempt and lost surrounded by the tall grass. The hours are very convenient, as it stays open all day till 19:30.

Small museum but worth the visit if you're into history. The entry was free and the place was clean. Great place to take a break from the beach or if the weather is not cooperating.

Not the greatest museum ever but if you’re a history buff like me, then worth popping in. It’s free. The main sections descriptions are translated into English but the individual artefact captions are not. I was there about an hour.

It was free to enter the museum, and there are not too many artwork, but the head of Apollo was so impacted and every work was impressive. If you stay in Salerono or plan to have enough time in this region, I would like to recommend this place.

Nice smaller museum of artifacts from over 3,000 years of the Salerno area. Good timeframe diversity and good variety of objects and toes of objects. Descriptions in both Italian and English. And, it's free!

Small but free museum worth visiting for Apollo's bronze head displayed on the second floor.

Since the museum is free there is no reason not to visit and of course Apollo is the highlight! But they have a lot of interesting objects.

In the annals of history, the earliest mentions of the monastic complex of San Benedetto trace back to the Lombard epoch, in the year 868. Ravaged by the tempests of destruction in 884, it was reborn under the benevolent hand of Abbot Angelario, resurrected from the ashes of ruination. By the year 930, this humble monastery ascended to the august rank of an abbey, its spiritual stature elevated. Through the slow procession of the fifteenth century, the complex bore witness to the artistry of restoration and embellishment, its walls echoing with the voices of artisans laboring to adorn its sacred halls. Then, in the year 1581, the abbey exchanged hands, finding itself in the custodianship of the Olivetani congregation. But time, the silent sculptor of destinies, soon wielded its inexorable blade. The echo of Napoleon's laws rang through the land, leading to the suppression of the abbey, and the church's stage was transformed into the Royal Theater. Only in the year 1857 did it regain its original liturgical purpose, emerging from the shadows of the theatrical world. In the year 1868, a different mantle of duty cloaked its venerable facade as it became a depot for the military district. A century later, the church returned to the ecclesiastical embrace of the Curia. The frontage of the church once boasted a stately quadriportico, a colonnaded embrace that the passage of time and the construction of roads cleaved asunder. The walls that once framed the atrium were subsumed into the Castelnuovo Reale, the palace that cradled the final years of Queen Margherita di Durazzo in the early 1400s. The structure that now houses the Museum is thus a multi-layered tapestry of extraordinary significance. As one explores its depths, they encounter not only the vestiges of the southern and eastern quadriportico of the Church of San Benedetto, which grace the ground floor, but also, on the main facade, the remnants of the loggia of the Castelnuovo Reale. Below street level, in the shadowed confines of its repositories, lie the fragments of Lombard fortifications, whispers of an ancient era buried beneath the sands of time.