Kenneth W.
Google
The opening of Eco Art on Island – II, organized by the Taiwanese American Arts Council, turned House 17 and its lawns into a meeting ground of ecology, art, and community. Twenty artists explored resilience through recycled and natural materials, cityscapes, and reflections on technology.
Outdoors, Wang Guo Ren’s Deer God: Migration Trajectory – New York Chapter, built from driftwood and paint, stood as a spectral guardian recalling Taiwan’s sika deer and colonial history. Nearby, John Chia-Hsuan Kuo’s Gaia Formosa – The Elegant Lady honored Taiwan’s women and plants, weaving symbolism of grassroots resistance and democratic awakening into ceramic form.
Indoors, paintings of urban greenery, stark black-and-white photographs, and clay sound vessels by Eugenie Chao carried viewers from memory to ecology, touch to listening. At noon, cellist Shu-Wei Tseng and violinist Laura Thompson filled the gallery with a lyrical duet, their music mingling with sculptural presences. Later, Julia Hsiao-Chu Hsia’s dance performance extended the theme into embodied movement.
On the porch, visitors shared fruit and pastries, reinforcing the event’s atmosphere of conviviality.
Eco Art on Island – II offered more than an exhibition: it was a moment of gathering, reminding us that ecological reflection thrives in community, art, and shared rituals of care.