Emma W.
Google
Yes — I went too, and I was genuinely blown away by the building. The new home of the Nederlands Fotomuseum in the Santos Warehouse is extraordinary in scale and ambition.
The first floor is where it really sings: beautifully curated, dark and immersive, with illuminated panels guiding you through 99 images from the collection. It felt calm, confident, and considered — the kind of exhibition design that lets photography breathe while quietly educating you as you move through it.
As you go higher, the building becomes more complex. The upper floors are shared with the working life of the museum — storage, archive, offices, cafés — which is fascinating in principle, but I found the huge LED backlit screens on these levels quite overwhelming. They dominated the space in a way that pulled focus from the photographs themselves.
There’s a substantial amount of historical imagery of Rotterdam, which I suspect would land more deeply if you really know the city — at times it felt dense and emotionally demanding. The other artists didn’t quite engage me in the same way as that first floor, though there were moments of real strength.
Still, the scale of the project, the seriousness of intent, and the care shown in parts of the curation are impressive. It’s a bold, generous institution, and I genuinely wish it the very best — Rotterdam feels richer for having it.