Paul L.
Google
The exhibition feels less like something to be “understood” and more like something to be entered. The works lean heavily into sensation, ambiguity, and quiet dialogue rather than overt explanation. You’re often left negotiating meaning on your own terms—through light, sound, spacing, and absence as much as through the objects themselves. At times it’s disorienting, but in a productive way: you start paying closer attention to how you’re reacting, not just to what you’re seeing.
The Power Station of Art itself amplifies this experience. As a former power plant, its vast industrial scale gives the exhibition room to breathe, making even subtle works feel intentional rather than lost. For someone still learning how to look at contemporary art, Does the Flower Hear the Bee? is a generous exhibition—it doesn’t talk down to you, but it also doesn’t demand expertise. Instead, it invites patience, curiosity, and a willingness to sit with uncertainty, which may be one of the most valuable lessons an art space can offer.