St. Ann's Warehouse

What a wonderful venue. Located in downtown Brooklyn, under the Brooklyn bridge this theater is a hidden gem. We saw monsoon wedding here and it’s a close up theater in the round. They sell well priced drinks and snacks. My only complaint is a kinda weird unisex confusing bathroom set up. Besides I would definitely return to this area. Lots of close by restaurants.

Beautiful theater right near Brooklyn Bridge few steps from Juliana pizza. Watched Monsoon Wedding here and had a blast.

I have never been inside, but the outside view is simply stunning. Whenever I do photoshoots in Dumbo, this spot is one of my must-capture locations. Brick walls and Brooklyn bridge are just a great backdrop combo

Saw a production from South Africa, Dark Noon here on its last day and it was one of the most moving theater experiences I’ve been to. Tremendous story, cast and fully immersive as far as how they got the audience to participate in the work.

What a great venue - staff is welcoming and informative. Monsoon Wedding is what brought me to this venue for the first time and it was delightful!

I literally can’t wait to go back again and again and again. Not only is St Ann’s Warehouse a beautiful historic building, it always amazes me what they will do next with the space for each production that comes to town. The photos on this review are of the Jungle which is one of the most powerful plays I have ever seen. This should be shown to everyone everywhere to educate us all and open our eyes..... I have been to see music and plays in this space and St Ann’s never fails to a wonderful venue. Thank you and I can’t wait to see what’s next.....

Great space iconic place! Wonderful theater love the unusual/ Avant Garde pieces presented!

This theater is in DUMBO, right at the base of the Brooklyn Bridge. The theater is a converted Civil War warehouse and is quite charming. There are plenty of good restaurants in the area, so you can definitely grab a bite either before or after the show.

I recently saw Burnout Paradise with a few friends and was impressed with everything from customer service, technology, pricing and the story! Such an awesome surrounding community as well. Support the arts by seeing a show or production here!

Always a treat to come to see a performance at St. Ann's Warehouse. Recently saw the wildly entertaining Burnout Paradise with lots of audience participation. St. Ann's Warehouse is also well kept and they have a nice bar that is open throughout the show for any of you red nosed theater goers. It's right next door to the Time Market so lots of great options for a meal before or after the show. Staff is always polite and professional.

What an amazing space! So open and full of light! Lots of lobby seating. The staff are so kind and helpful. A nice little bar with courteous and prompt staff. You can get nice little cocktails and canned booze here, or non-alcoholic drinks of course. And little snacks. Of course you're paying a premium, but that's anywhere. Located on the gorgeous waterfront in Dumbo, so you can see the bridges and stroll the park. Lots of restaurants, food markets, and shopping nearby. I came to see Dark Noon. The show evolved as an idea of "the European gaze on Africa." Most of the cast are Black South Africans. It touches on colonization, apartheid, the casting of Black and indigenous people as villains or murders. My favorite part was the very end, when the actors told their stories. How they grew up in South Africa. How and when they were exposed to Westerns. How apartheid has affected them. It was poignant, funny, and also sad. The venue is small, so there really isn't a bad seat in the house. I chose to sit in the "goldrush" seats, which were only 34 dollars, MUCH cheaper than the other tickets, but to me, was the best seat in the house. The goldrush seats were bench seats on the floor level, part of the stage, and actors could interact with you or pull you into the play itself. The other seats were regular seats with backs. The bench seats were not uncomfortable to me at all. St. Ann's warehouse has a broad array of shows available, touching on many topics, covering many cultures, many genres. There is drama, sci-fi, shows with puppets, musical concerts. I'm glad the instagram algorithm locked me in with this one. I loved Dark Noon and I will now be on the lookout for their future productions.

My buddy/neighbor and I went to see "Monsoon Wedding" - the musical playing at St. Ann's Warehouse in Brooklyn, NYC Was so thrilled to see a live and vibrant South Asian Musical produced by Mira Nair. I like how she said.."if we don't tell our stories, no one else will"... If you can't see the show then definitely watch the movie y'all. I did not know St. Ann's Warehouse existed in Brooklyn. It's such a cool warehouse that was transitioned into a theater. To be honest it does not matter where you sit in the theater you will have a nice view of the stage. The setup in this theater is really wonderful. After the show you can exit through the gardens. Imagine all this beauty is in Brooklyn, NYC. They also have a food court, but I did not explore it this time around. They have a nice seating area where you can enjoy a drink or a quick bite. The folks at the box office are friendly and chilled. They are so helpful with questions considering we purchased our tickets like 2 minutes before the show.

Spectacular Venue. Right off the Brooklyn bridge. Very easy to reach at. Ferry is in walking distance. Time out food court next door, food is ok, not spectacular. Shake shack is ver close Van Leeuven ic cream shop is very close. Watched Monsoon wedding here. First show was cancelled and had to come back again. It is a good thing we came back. Musical was amazing, sold out every night. Extremely recommended, i wish i had another chance to watch. Running until june 25, DO NOT MISS IT!!

This theater is in a old factory , brick wall and very spacious. Very pretty inside even the lobby area has high ceiling and large space very inviting. it's very close to the subway. I went to see "The Hunt" all the seats are good, very intimate setting that you can see the stage well from everywehre. and the seats are very comfortable too.

Went to see Monsoon Wedding over Father's Day weekend. Fabulous production but an even better pre-theater experience. Box office staff was very helpful in attending to my limited mobility and answered many questions about access, parking, etc. Super impressive theater interior, great tech, and very gracious, ushers and security staff. But FYI: Dumbo neighborhood on a busy summer weekend is chaos.

I take groups from Illinois to New York to see theatre every year and always check to see if something is playing at St. Ann's Warehouse. We have been there many times, and I've never been disappointed. The staff has been helpful in arranging group tickets... and the shows...! I count on St. Ann's to balance out the Broadway shows with something that will make you think, see things from a new perspective, and perhaps even disturb you. Productions that we would never experience in Illinois, with phenomenal artistry. Even going to the theatre is an enjoyable experience. The staff is exceptionally friendly, the place is welcoming, and it makes for such a fantastic evening. Take the A train to High Street, walk through DUMBO, enjoy incredible views of the skyline and bridges, have some great food next door, see a phenomenal show, and then walk across the Brooklyn Bridge at night. A perfect theatre evening.

This venue is quite nice! Upon entering we were greeted and pointed in the right direction. There's a little bar available while you wait. They serve you with recyclable cups, but there are no recycle bins that I fund. There are large restrooms available. Inside the theater it is quite nice seating. There were a couple of seats available near the front, and staff asked if we would like to be re-seated! Great service! We came to see "The Hunt" which starred Tobias Menzies (who played Prince Phillip in The Crown). The play covered a disturbing situation, but the acting and sets were wonderful. There was a nice "talk back" with the director and Tobias Menzies.

I came up to see Monsoon Wedding--which was an absolutely fantastic production and well worth the trip from DC. Moreover, I was incredibly impressed by the level of service St. Ann's offered from the presale to theater experience itself. I was having some issues purchasing a ticket with a corporate discount, and they were so patient and helpful, both over email and the phone. Then when I got to the theatre, wow that space is gorgeous from the gardens to the brick and lobby. And again everyone was so helpful and friendly. And everything was so clean, even the bathrooms lol! Highly recommend this lovely space filled with lovely people.

Very clean theater,they have very good shows and an awesome facility assistant who keeps the place very clean and pays attention to detail Highly recommend going to St Ann's Warehouse to see awesome shows

New wide-open airy space on 45 Water (across from the original) is now on the East River near the lovely Jane's carousel (http://janescarousel.com/history/). Since the play featured was performed in the dead of winter we did not venture outside, but I am sure it will be perfect in the warmer months to enjoy the outside space and exquisite view of Manhattan. There is a small pre- & after-theater snack bar serving wine, beer, snacks. The actual theater/stage space is very high-tech, with excellent lighting effects and acoustics. The spectator seating is pretty comfortable, cushioned (non-folding), with perfectly non-obstructive views of the stage. The new St Ann's definitely has that "new theater smell" Much amusement observing everyone's confused expressions upon entering either the W or the M restrooms to see both sexes in side. Very clever design! The play, NICE FISH, directed by Claire van Kampen was hilarious! Her husband, the world reknown Shakespearean Actor, Mark Rylance was wonderful as always! Bravo! xoxo ;-)

Years ago, when I frequented this area, this building was a crumbling old relic with no roof! Now, it's metamorphosed into a state of the art theater with cutting edge arts programming! Came here on Sunday to see People, Places and Things, and I was blown away by both the production and venue. One of the reasons why the staging worked so effectively, was because of the flexibility in this black box theater. The stage was set up with audiences on both sides in stadium formation, essentially a mirror of each other. I loved the intimacy. I was in the last row, but it was not a bad seat and I could see everything very well. The only minus, is that by this design, sometimes bits of monolgues/dialogues got a bit muffled. The common areas is utilized very well. Lots of low and comfortable seating. Concessions had a good amount of refreshments. Bathroom stalls are plentiful, and the bathroom is designed efficiently and smartly with common washing areas (love the trough sinks!). Very cool blend of old and new.

I've been wanting to come here ever since I fell in love with Brooklyn. And that was more than 5 years ago. Fast forward and last week, I finally got to come experience this wonderful space. St. Anne's Warehouse features American avant-garde, international companies with distinction and highly talented, local emerging artists. My date bought 2 tickets to 4:48 Psychosis and got great seats, 3 rows from the stage. The seats are basically folded chairs and the seating area goes up and up, so no blocked view. The stage is very near you, you will feel part of the act. 4:48 Psychosis is a play written by the Brit Sarah Kane (who later killed herself). The whole play is in Polish with translations. The play deals with depression and suicide. It is not a feel-good anything. Be prepared to walk out in a daze. Don't worry, there are 2 bars very close by. Thanks St. Anne's Warehouse for a dark, depressive and sexy night out in DUMBO.

Way back in 1980, I saw a little poster touting a performance by a London drag troupe called "Bloolips". It was 5, I think, drag queens dressed so outrageously that I could not ignore them. So, I bought tickets to the Orpheum theatre and we went to see "Bloolips, Lust in Space". It was there it happened. I fell madly in love with performers with names like "Bossy Bette", "Lavinia Co-op" and "Naughty Knickers". The humor was sans four letter words, but full of flamboyance and outrageousness. Since that time, about every year or two, we saw the troupe at various venues and started bringing friends with us. Everyone got hooked and we ended up seeing Bloolips about five times throughout their years long run, in five different productions at five different venues. We saw outfits made of plastic tea strainers and other unusual items. We even saw Bloolips flopping around the stage in bacon and egg costumes on a sizzling skillet. Don't ask, you needed to be there. The lead performer of the troupe was a man called (tee hee) Bette Bourne, nee Peter Bourne. He had a flair and a fast witted talent the likes I had never seen on the drag stage. Bette was 40 years old back at the Orpheum in 1980, and I was 38. Before that time, he was a rather handsome young man, very involved in Gay rights, specifically a group called The Gay Liberation Front. A rather "in your face" tribe of pissed off Gays and Lesbians totally fed up with the often violent intolerance of Gays in the world. Last night, I had the outrageous good fortune to see Bette Bourne as himself at 70, doing a recreation of an actual interview conducted by playwright Mark Ravenhill who was playing himself. The play/documentary/interview is actually two acts long. By the time you're finished, you would have liked a third act to happen. The space at St. Ann's Warehouse, in Dumbo, Brooklyn is informal and a low staging area was a "pretend" room in Bette Bourne's London home. Furnished with a red area rug and luxurious Ikea furniture it was a stretch, but who cared. Bette repeated the interview aided by a large screen upon which various stills and videos were projected, documenting visually, Bette's life. The product of a loving mother and an abusive father, Bette emerged as a quite talented, witty actor. His delivery, seldom punctuated by four letter words, was funny, bittersweet and, sometimes, downright sad. Bette entertained with a few little numbers he performed on his various stages, this time accapella, with only his tapping foot to set the cadence. Not easy, but, after all, we're talking Bette Bourne here and it worked just fine, thank you. Bette wore a sparkling sequined top, tasteful lipstick, his own hair and some campy looking shoes with taps that he used in an impromptu dance routine, during which he quipped "and I'm seventy". Not unlike back in the 80s, at the Theatre for the New City , when he danced and said "and I'm almost fifty". There were a few people in the kind of strange audience mix for whom the show did not work. Well, tough titty. With Bette Bourne, what you are told you are going to get is what you get. And sometimes a double helping. All in all, I found the performance entertaining, sad and foremost, hilarious. The study of Bette's mother's death and the deaths of over one hundred of his friends and acquaintances from AIDS, was dearly bittersweet, thoughtfully executed and, mercifully, short. We left feeling like we had a last visit with an old friend. I, personally left feeling like I left an old lover. Thank you Bette, for years of the best medicine, laughter. This was a wonderful way to say adieu and god bless. And too bad you didn't notice me in the crowd all those years, we could have been an item.

I cannot believe I waited 6 years living in New York City without seeing a show in this stunning, super creative space. St. Ann's Warehouse sits on the East River in Dumbo in a beautiful, renovated brick warehouse that's been transformed into an architectural masterpiece of a theatre and art space. My dear friend Brittany and I bought rush tickets (only $20!) for "Arlington" by Enda Walsh with little to no expectations. I had heard great things about St. Ann's, but had purposefully blocked out any reviews or thoughts written online. I was not only blown away by the quality and thought behind the production, I was blown away by the space itself. The ceilings were insanely high, it was modern but not overwhelming. It felt like the outside and inside merged and were perfectly in harmony. The theatre space appears to be a super flexible black box...though, the production we saw was in a traditional proscenium setup. I want to get married in this space.

I came here for a performance during the Under the Radar Festival. It's kind of a trek to get to if you don't live in the area but it is a great performance space. It's free format so they can change the seating lay-out if they want to. For the show that I saw the performer was in the middle with the audience on all 4 sides of the room. It's great for breaking the audience-performer barrier. The restaurant Rice serves refreshments so you can have a glass of wine before the show. One last thing: if you're there in the winter, bundle up. It gets really chilly in there.

The last time I was at where St. Ann's currently stands, it was just the open-air bricked-walled remnants of a former tobacco warehouse, literally, DUMBO. I was there for Smorgasburg back in, gosh, 2013, I think! And the last time I was St. Ann's previous location, back in the spring of 2015 to catch a re-imagining of "Troilus and Cressida", it was a little further up the street. Well, everything seems settled now, and the permanent home of St. Ann's Warehouse in that former tobacco warehouse is beautiful! The ceilings are high, the wooden interior is both industrial and cozy, and the theater space is rather impressive. Myself, the beau, his brother, and his brother's friend took in a performance of "Nice Fish", and the stage, lighting, and props were seamless! The seating was relatively comfortable, as well. Please note: The bathroom is unisex and, technically, in one big room, despite a door for men and a door for women; upon washing my hands after using the facilities, three men stood beside me and I had a minor panic attack that I had gone in the wrong door. Ha! Nope; left side is for men, right is for women, and they are separated with sinks and mirrors. As far as off-Broadway theaters go in NYC, St. Ann's Warehouse is a MUST. I look forward to catching many more shows there in the future.

Really awesome performance space in DUMBO. I went to see MISTERMAN starring Cillian Murphy, which was outstanding. The staff was great, the stage space was well-utilized, it was all very professional. My only complaint is that the seats, though very cushy, are a VERY tight fit. So you get to know your direct neighbors intimately during the performance. Anything more than 90 minutes would become very uncomfortable. I love having such amazing culture right in my backyard (literally, as I live in Brooklyn Heights).

I was fortunate enough to attend Nice Fish written by Mark Rylance and Louis Jenkins. My friend couldn't attend the performance so she gave me her ticket for Sunday night. Little did I know, Mr. Oscar would make an appearance at the end of the play and two rows behind me would be Steven Spielberg and Kate Capshaw in attendance as well. St. Ann's Warehouse has cushioned seating and the theater is small enough that you can actually make eye contact with the actors and actresses. It's well ventilated at least for me so it wasn't too hot or too cold as some people complain about the temperatures in theaters. Furthermore, the acoustics are fine. I'm so glad to have seen Mark Rylance in theater as he's touted as one of the finest theater actors of our generation and one Wikipedia search reveals that even though he's British, he grew up in the Midwest so I understood a lot of the winter descriptions and jokes about them. I'd definitely come back and see more plays at St. Ann's Warehouse and it's a short walk to shake shack, Juliana's or Grimaldi's pizza if you want pre or post theater dinner.

Why haven't we been here before?! $20 rush tickets, not a bad seat in the house, excellent show ( Adolphus Tips ), and in my own borough .... already looking ahead to the 2017-2018 season schedule.

Nice enough space. Excellent line of sight from all seats to the stage. Seats were a little uncomfortable towards the end of a 90 minute performance. Large lobby space, limited lobby seating, wine bar at one end of the room. They have applied for a full bar license. Nice view of lower Manhattan. I had a little trouble walking over from the F train at York Ave. Easier on the walk back. I walked north on Water St to Washington, east on Washington to York, north on York to the F train stop. Area is upscale these days.

I can't believe I'm the first one to review this place, but I'm happy it's finally being acknowledged on Yelp... I saw something here a few years ago and then pretty much forgot about it -- but then The Wooster Group did Hamlet -- wham-bam it was so terrific (on so many levels, using so many medias, with phenomenal acting) I just had to see it twice... This year I saw Black Watch -- which I have incredibly mixed feelings about (I'm the only person I know who didn't find it absolutely shattering), I thought it was moving and beautiful and wonderfully choreographed, but I didn't identify with any of the characters -- every other word is C U Next Tuesday, they're incredibly mean to one another, they're disdainful of everybody and everything they don't already know, and at one point they say something like "We're not fighting for the world or for Europe or even for Scotland, we're fighting for our mates" -- and only because none of them can find ideal employment at home -- and then eventually, as a result of one of the group members' constant provocation of hostile natives in Iraq, he winds up getting himself and a couple others killed -- and I'm supposed to find this a tragedy somehow? anyway... I saw the Polish Macbeth, which was pretty spectacular, but actually took place across the street... Also this year I saw a preview/rehearsal for La Didone -- I felt a little bit ripped off, because the ticket cost $20 and the entire duration was less than 30 minutes, but it was an awesome mix between the baroque music of Cavalli and 1960s science fiction -- I'll definitely be seeing it when the full production comes later this year... Also later this year is a modern (Mabou Mines) interpretation of Ibsen's The Dollhouse, and Cynthia Hopkin's The Success of Failure -- both of which I'm really looking forward to... I saw the documentary of Julian Schnabel/Lou Reed's Berlin, and I'm really sorry I missed it while it was playing here... The seating and stage and sound are all great... Rice, which is the eatery/bar inside the warehouse, is affordable and everything is high-quality.. Although I really don't know where to eat or drink in the area before or afterward, and even though it takes forever for me to get here and get back home, I'm always excited to visit St Ann's Warehouse,

Took my friend to see Bianco for her birthday and tho the show was good, the constant cattle herding to move us from the aerialist equipment/or stage was annoying to say the least. This is why I've given it a 3 star....the show itself is more a 4 star.

I'd see anything at this great theatre company in Brooklyn. The space is versatile and unlike any theatre-going experience I've had in NYC. What Manhattan lacks in space for small non-profit theatre companies, Brooklyn makes up for with places like this. The lobby is huge, has food from Rice and has a good list of affordable wine and beer. Hit up the lobby about 30 minutes before a show to grab a bite. You'll love theatre here. Race over their anytime they have a new show up. It'll be worth it.

I've been here over the years for several shows, and it's always a good venue. Easy to get to, even for those who prefer to stay on Manhattan, and easily accessible from several subway lines. They change the seating/stage around depending on the type of performance, and the venue has a cool, open feel to it. I also love that there is a small branch of another favorite, Rice, in the lobby. Great for a glass of wine/beer/hot cider before the show, or there are tons of bars/restaurants in the area. They seem to have a good selection of shows too - everything I've seen here has been solid.

Venue is beautiful, unique and in a great location. However, we witnessed the condescending snarky staff berate and degrade a woman with multiple disabilities and mobility issues. We overheard many racist and demeaning comments by the staff directed at some theater goers. Theater staff were bullies in the truest sense of the word The experience was, to say the least, appalling. I and my friends and family are now personally boycotting this venue.

I came her last night to see 4:48 Psychosis. The play was wonderful! The stage, the actors, the effects and the captions were spot on. Besides for the show, the setting wasn't ideal. I was told that this is only a temporary location, but even still, the theater was pretty cramped and unbelievably hot for a cool fall day. The seats were packed. With that many people, you would hope there would be some type of fan or AC situation. Many people fanned themselves throughout the show, but most of us just sweat through it.

No Promise The play will Be good but the Space will not be at fault for risks gone wrong.

We came by to get tickets and were accosted by the woman at the door yelling at us to "come here" while motioning with her hands for us to get back. We asked why she was telling us we couldn't go in and why she thought we weren't getting tickets when that's what we were doing. I get she has a job to do, but there's a much better way to tell people that. So we went to the box office and immediately the same thing happened with two men - you'd think this place is Fort Knox the way people react (I almost positive it's because we weren't dressed as their other rich patrons having just come from a walk in the park). We were looked up and down and told the performance was sold out and that we should leave. I asked about future performances and was told in a super condescending way that the information was online, but that this was closed. For a place that wants to show inclusive art they are failing in every possible way in the way they talk to their patrons. I am disgusted by the way they treated us solely bc of what we were wearing -- this is socioeconomic discrimination as other people who were dressed like they were wealthy were able to walk around inside and we were the only ones asked to leave and told we couldn't be in there. Shame.

As a venue for performance, this place is beautifully designed. But I don't know how management vet their hires: I'm a member. And on two or three separate occasions and from different employees there, I received and perceive what can only be described as snobbishness in the extreme. I will not be renewing my membership. It's like going to a restaurant where the space is beautiful and the food is great but the staff snobbishly turn their noses up and treat people with contempt and disdain.

I love this theater! Amazing curation of productions from around the world. I've been coming here (or their other location) since the late 90s. The tickets are inexpensive enough that you can take chances. I am always happy to look at the wall of posters and tick off the shows that I've seen. While the seating arrangements are flexible, they aren't entirely comfortable, and there can be problems with sight lines. But who thinks of that when they remember a fantastic show?

Beautiful space but the staff was extremely challenging to work with. I was verbally insulted to my face by their team. In the middle of our event, I asked for the green room to be tidied up- I was told 'don't you think people can clean up after themselves'. And we paid full price for the rental. I won't go back.

This big space is adapted differently for each show - primarily plays, but some music and special events shows. It is a warehouse, which is cool - but with that comes some issues, like it being extremely hot in summer (they stop doing shows from June to October because of the weather) and cold in winter so bring appropriate clothes for elements. It is easy to drop things under bleachers but the friendly staff will get it for you after show. Lost and found is at the info booth. Some shows have a strict no late entry policy so check the web or call. It's easy to be late with the current construction and instability of the F or A train schedule. Other notes: $20 rush tickets an hour before the show in most cases, no water fountain, and Rice bar serves food in the lobby, but food and drink is usually not allowed in the theater, so don't buy two thinking you're going to double fist it through a Druid performance.

Cool venue with as much seating as an elementary school auditorium. You can't tell from the floor maps on the website, but it has stadium seating, so there's no obstructed views from the tall guy in front of you. The sound system is good, and the performance area is pretty deep. Came here to see Daniel Kitson's Analog.ue. Without passing judgment on the show, it was definitely the right venue for that experimental weirdness.

Impressive venue. Saw Taylor Mac recently; good organization, pleasant stuff, nice location

Great space! Loved seeing Bianco there!

While St Ann's is spacious and neat, I'll explain why it doesn't rank high on my ratings scale: 1) I'm not sure if I'm a big fan of the warehouse concept - the theatre is separated from the lobby and restaurant by a curtain, which is not soundproof. Even after the production began (I was here to catch A Life in Three Acts), I could hear the staff outside the theatre 2) The chairs (think Ikea foldable types) is not exactly the most comfortable 3) The set-up seems more appropriate for a talk rather than a performance - luckily A Life in Three Acts is just that, but I shall report again after I catch "Young At Heart" very soon.

Both shows that I saw here have been outstanding (Blackwatch and a daniel kitson one man show). the space is unlike any other that you will see here in nyc and although tickets can be steep at times, it's worth it. The bathrooms suck so if you can go to another perhaps at dinner before you get there, i would suggest it as there is always a womens toilet thats down and a line thats loooooong. the willcall is always no bs and gets you in and out and the rice bar is cool, too. I will be back soon im sure...

If you happen to be in the area and visibly pregnant, expect the person at the door to tell you that while they feel bad for you because you're pregnant they can't let you in. Expect them to comfortably direct you to the public restaurant a block and a half a way. Definitely shameful behavior.

We went to see Longing Lasts Longer, by Penny Arcade - GREAT SHOW, and... What a fantastic venue! It's so beautiful and it's in such a cool location - the staff were all awesome.

Came for a PBS SoundStage session. Acoustically phenomenonal, though that may be because it was made-for-TV, audibly and visually. A cool (despite being seated literally on top of a heat lamp/light hybrid, albeit in the front row) Vast Space. Staff did a nice job once the Generator Failed, but it never recovered and the last half-hour or so was done with house lights. Odd with none or limited food/drink selections but I was fine with that.

I have been going to st anns warehouse since its beginning when dumbo wasnt even known yet. I followed them to their temporary quarters on york street and was a member when their new theatre opened. I say was because even though they have done some excellent theatre, they are now ageist, snobs and cater to a young audience. The last three show i saw there-people places things, streetcar and tempest i had trouble hearing. I must use a headset and am deaf in one ear. The headsets have never worked and the staff is indifferent, condescending and clearly find it a waste of their time to even check the headsets. Last year i called the manager and no one even bothered to get back to me. When red velvet played at their temporary theatre i spoke to the manager then and he apologized for not having headsets because they were a temporary location. He offered me a free ticket in the first row so i could see the play again. I thanked him and he assured me the new space would have headsets. They do but they do not work.

Great venue in a really charming area (DUMBO). Saw "Young @ Heart" preform here, and the space was perfect. I think the warehouse style helps keeps costs relatively lower than it could be in such a desirable location.

Attended a SLPS there during the film festival. Spacious, lots of seating for the show, and got the job done. Just so far. Walked by Galapagos afterward and remembered about shooting there 2 yrs prior!

Great space, great sound, really interesting productions. Saw "Making It" here. Rice bar was running the concession, and that expensive fancy chocolate store is right next door.

I come from Boston to visit here for some of the best shows and performances in NY. The Wooster Group and Elizabeth LeCompte are a gift to theater. Their programing and visiting companies are great. The space is wonderful and always set up in an interesting way. The staff is enthusiastic and friendly, the audience hip and knowing. The tickets are easy to order and always priced reasonably. Hey New Yorkers, just 'cause it's in Brooklyn is no excuse! It is really easy to access by train. What happens here I often think of as theater history...

Just saw mayday mayday. The show was awesome, the spa e is gorgeous and the people are nice. I'll definitely be back to see more theatre here.

A wonderful place with wonderful performances and, perhaps most importantly, run by wonderful people. I purchased tickets to see Daniel Kitson, realized I bought them for the wrong date, and was very quickly and easily helped to change my tickets without a fee. It was wonderful, efficient customer service, and it's part of what will keep me coming back. That and the brilliant shows.