Meg O.
Yelp
This summer, I accompanied the opera class at the Bread Loaf School of English to three of the operas here in Santa Fe. We attended the operas in style, stopping by the Whole Foods for picnic foods first so that we could tail gate in the parking lot before the show. I feel that my Santa Fe Opera experience has been pretty complete: in addition to tail gating, I've scalped a ticket, interviewed fellow tailgaters for an experimental radio piece I produced this summer, and danced at the 'opening night ball.'
The three productions I saw were Verdi's "Falstaff" (opening night), Mozart's "Le Nozze di Figaro," and Benjamin Britten's "Billy Budd." I really wanted to adore the "Figaro," as it is my favorite opera, and I've even was in a production of it in college. However, the Santa Fe production fell flat. While the woman who played Cherubino was incredible (I don't care what the NY Times has to say about her), she was not able to carry the entire show. The entire show lacked energy. I felt as if the cast's overall feeling was, "Ho-hum, this is Mozart. We've all been here and done that." And what was with all the boob-grabbing? The Count was constantly hoisting poor Susannah around by her chest. This might have been effective if the overall production had been edgy and interesting, but in this very traditional production, it felt forced and uncomfortable. If I would have to choose a favorite, I would have to say "Falstaff." I was completely unfamiliar with Verdi's last opera, and it is definitely not typical Verdi. The opera is both highly farcical and slightly Wagnerian in construction, with arias that last no more than a couple of minutes. I thought that the cast was spirited, and the fugue at the end was thrilling. I also enjoyed the set. In the Fords' house, for instance, there were trophy antlers and horns adorning the walls, which I found clever and hilarious. The set for "Billy Budd" was pretty amazing too, with its raising stage to reveal the belly of the ship. The young novice role had an incredible voice, and Billy himself was talented and HOT.
Overall, I am glad that my 6 weeks in Santa Fe included 3 operas. Are the operas the quality you have at the Met or the Lyric in Chicago? No. But the setting, with the stunning sunsets--or the appropriate lightning show we had for "Billy Budd"--and the tail gating definitely make it something special. My only wish is that I could have seen Peter Sellar's production of "Adrianna Mater." This past year I saw a concert production of a Santa Fe original by Osvaldo Golijov, "Aindamar," and was impressed by the new sounds coming out of Santa Fe. Unfortunately, those new voices and composers have to be funded by sometimes lackluster standards like the "Figaro."