Vamana Temple

The temple is dedicated to the Vamana incarnation of Vishnu. It is nirandhara temple consisting of a saptaratha sanctum, vestibule, maha-mandapa with lateral transepts and entrance porch. The sanctum enshrines and image of four armed Vamana flanked by chakrapursha on the left and shankhapursha on the right. The sanctum entrance has seven bands decorated with stenciled scrolls, dancing ganas. Mithuna, lotuspetals and wavy scrolls terminating in a figure of naga, Ganga and Yamuna standing in tribhanga, flanked by female attendants on one side carrying purna-ghata and standing door keepers. The lintel contains a four armed standing Vishnu in the centre and the side niches represents Brahma and Shiva. The outer walls of the temple have two bands of sculptures which include graceful figures of sura sundaries and the sculptures of Varaha, Narsimha and Vamana sadorned in the niches of sanctum. On the basis of the sculptural art and architectural style, the temple is assignable to circa 1050-1075 C.E.

Vamana Temple (c. 1050-75 CE) The temple, faces east, dedicated to the Vamana incarnation of Vishnu. The temple is similar in plan to the Devi Jagdambi and Chitragupta Temples. ARCHITECTURE It is nirandhara temple consisting plan of a saptaratha sanctum, vestibule, maha- mandapa with lateral transepts and entrance porch. The sanctum enshrines an image of 4' 5" high four armed Vamana, fifth incarnation of Vishnu in the form of a dwarf, flanked by chakrapursha on the left and shankhapursha on the right. The sanctum entrance has seven bands decorated with stenciled scrolls, dancing ganas, mithuna, lotuspetals, and wavy scrolls terminating in a figure of naga, Ganga and Yamuna standing in tribhanga, flanked by female attendants on one side carrying puma-ghata and standing door keepers. The lintel contains a four armed standing Vishnu in centre and the side niches represents the Brahma and Shiva. The outer walls of the temple have two bands of sculptures which include graceful figures of sundaris and the sculptures of Varaha, Naga and Vamana adorn in the niches of sanctum. There are no erotic sculptures visible on its walls and the framed niches of the third row uniquely contain diamonds in place of sculptures, the only temple with such a trait. The shikhara is mono spired and the sanctum has no ambulatory HISTORY AND INSCRIPTIONS On the basis of the sculptural art and architectural of this temple it is believed that the temple was constructed between 1050 – 1075 CE, by the Chandella rulers.

This temple dedicated to the Vamana form of Vishnu, is situated about 200 m. to the north-east o the so-called brahma temple. It is nirandhara (one without ambulatory) temple, consisting on plan of a sapta-ratha (seven-projection) sanctum, vestibule, maha-mandapa with lateral transepts and entrance-porch, of which only the plinth has survived. Its sikhara is unencumbered by any subsidiary sikharas and is embellished with a fret-work of chaitya-arches, contrast to the developed local temples, erotic scenes are absent here, except in the subsidiary niches of the proof-pediments. It is also noteworthy for showing over the maha-mandapa a peculiar roof known as samvarana which is characteristic of the medieval temples of western India. The absence of the dhammilla- type of head-dress on the sura-sundari figures indicates that the temple is later than the Kandariya, the sculptural types and style of which it continues. This temple is, therefore, assignable to circa 1050-75. (Information from ASI)

The Vamana Temple is a must-visit for anyone exploring the Khajuraho Group of Monuments. It offers a glimpse into the rich artistic and religious heritage of India, showcasing the unique blend of spirituality and artistic expression that characterized the Chandela era. No tickets required to visit Dec - 2024

A small temple dedicated to Lord Vamana, an incarnation of Lord Vishnu. It has simple carvings, not as detailed as other temples in Khajuraho. The place is quiet and not crowded, making it a nice spot for a relaxing visit.

The Vamana Temple in Khajuraho is a lesser-known yet captivating part of the UNESCO World Heritage site, dedicated to Lord Vishnu’s Vamana (dwarf) incarnation. Key Highlights: 1. Architecture: Simple but elegant design with intricate carvings showcasing apsaras, deities, and mythical scenes. 2. Atmosphere: Peaceful and less crowded, ideal for those seeking solitude. 3. Location: Situated in the eastern group of temples, around 2 km from the main town. 4. Best Time: Visit early morning or late afternoon to enjoy the carvings in natural light. Tips: • Exploration Time: Requires about 30-40 minutes to explore. • Nearby Attractions: Combine with visits to the nearby Javari and Brahma temples. • Essentials: Carry water and wear comfortable footwear for walking. The Vamana Temple is a serene spot that highlights the understated charm of Khajuraho’s rich heritage.

Very good temple among all eastern group temples. The Ancient Lord Vaman Temple is a timeless marvel, steeped in myth and legend, and resplendent with the aura of antiquity. Its weathered stone walls and intricately carved pillars whisper tales of bygone eras, inviting visitors on a journey through time and spirituality. Dedicated to Lord Vaman, the temple radiates an aura of humility and grace, mirroring the virtues of its divine patron. Pilgrims and seekers alike flock to this sacred sanctuary to pay homage to Lord Vaman and seek his blessings for prosperity and spiritual enlightenment. The temple's serene ambiance and serene surroundings provide the perfect setting for introspection and contemplation, fostering a profound connection with the divine. A visit to the Ancient Lord Vaman Temple is not just a journey through history but a spiritual odyssey that transcends time and space.

Vamana temple is a Hindu temple dedicated to Vamana, an avatar of the god Vishnu. The temple was built between 1050 and 1075. It forms part of the Khajuraho Group of Monuments, a UNESCO World Heritage Site listed because of its exceptional architecture, art, and testimony to the Chandela dynasty.