Jana C.
Yelp
THE REP IS RED!!!! AND THE RED IS RIFE....with layers of subtext, social commentary, philosophy, and art.
Red: the color of passion, anger, love, blood (pain), and shame (or is that crimson?! =o)
Tostoy once wrote "What is Art"; I kept on thinking about parts of it when watching a play that possessed amazing acting, timing, rhythm, cadence, and flow. It's a furious 90+ mins of dialogue, only between the artist and his apprentice. An emotional roller coaster. Put on your seat belts: Enter the world of eccentric, irascible Rothko.
But I was definitely more tickled with the challenge to what Neil Postman calls a society in which we've anesthetized and "Amused Ourselves to Death". Character playing Rothko challenges viewer to emote (as he does1), feel, ask, challenge, and be authentic. Ironically, it's his apprentice that is the one not hiding from anything, and speaks from a place of vulnerability and pain---a place that clearly causes discomfort in the eccentric artist.
Backdrop: He is commissioned to paint the Seagram building in NYC, and is promised a load of cash to do so. But Rothko mocks the superficiality of it all, and grabs his apprentice to both abuse as well as serve as sounding board.
I also loved the pulled passage from Daniel 5, OT: Belshazzar's an imminent goner when that hand scrawls: MENE MENE TEKEL (nerdy me owns a book with this as its title)--we have all been weighed and left wanting... or, our days are numbered---the writing on the wall, etc. Rothko actually confesses to seeing the color black this way. Cud to chew on.
Practically every notion of truth and meaning is challenged and brought to bear with the brilliant writing of award-winning Waters.And we in the audience are swept up in the dynamics and emotions and also left asking ourselves in which manner we choose to live life.
In the end, Rothko makes a choice that reclaims the self, having been swayed and affected by the 2 year relationship with his apprentice. It is the young man's constant challenge to Rothko to examine himself in the light, to accede to his real motives, this brave boy who doesn't let Rothko bully him into a cowered stance, and who struggles the whole play to take a stand and be heard.
Count the cost
Performance was inside the Thrust Theatre, a small enough venue such that any seat in the house affords one an intimate connection with the scene before him.
PS So very, very grateful to Yelp for the opportunity to also enjoy Red Letter night in the idyllic little courtyard that felt like a lean-to in some little villa. Was really royal being wined and dined with quality. Am an absolute fan of Raymond Vineyards in Napa, and my Sauvignon Blanc was spot-on crisp and refreshing. The Semifreddi's cookies were scrumptious, and those truffles?! Decadent! Thank you.
PPS In my youth, a simpler and less complicated time, I once had to memorize close to 70 pages of piano music, in preparation for competition. But how on EARTH did these two actors memorize that much dialogue, without fumbling or breaking character? Amazed.
PPPS How many calories did they lose in the scene whereby they painted that mongo canvas in red, in under 3 minutes?!!! =)
So cool that Berk Rep has a ticket donation/voucher process for those orgs that fundraise (which I am currently doing!)!