Koen
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Magnificently artistic! Bremen Town Hall (Bremer Rathaus) is one of the most beautiful examples of brick Gothic and Weser Renaissance in Europe and has rightly been on the UNESCO World Heritage List since 2004. Around 1400, when Bremen's development was at its peak, a new town hall was planned on the initiative of mayor Johan Hemeling and councillors Friedrich Wigger and Hinrich von der Trupe. Between 1405 and 1410, a Gothic "Saalgeschossbau" (hall building) was built on the northeast side of Bremen's Marktplatz, right in front of the archbishop's palace. A clear demonstration of the city's self-confidence in relation to ecclesiastical authority. The lavishly decorated façade of the town hall features statues of Charlemagne and the seven prince-electors, demonstrating Bremen's claim to being a free imperial city. The Renaissance brought several modifications: between 1545 and 1550 an extension with three floors, containing a new Wittheits-Stube and offices, was built between the town hall and the archbishop's palace. In 1595-1596 the front façade was modified for the first time: the Gothic windows with their typical pointed arches were replaced by large rectangular windows. Between 1608 and 1612, during the second modification, the front façade was given its Weserrenaissance appearance: the two middle windows and the proclamation door were replaced by a huge avant-corps (a facade extension) crowned with a Flemish gable. The baroque extension from 1682/83 is best visible on the corner where the statue of the Bremer Stadtmusikanten stands. With the German mediatisation of 1803 the archbishop's palace fell to the municipality of Bremen, and in 1818/19 it was partly dismantled and rebuilt as a neoclassical "Stadthaus" (municipal city hall). The enormous population growth in the 19th century and Wilhelminism made it necessary to enlarge the town hall. Thus the "Stadthaus" was demolished and between 1919 and 1913 the "Neues Rathaus" was built, a neo-Renaissance creation by the architect Gabriel von Seidl. All in all, Bremen today has a magnificent building complex that is not only very beautiful, but also represents the centuries-long development of civil autonomy in the Holy Roman Empire.