Vanessa H.
Yelp
I love museums that educate you not only with their displays and placards, but also with their format.
The Jewish museum is divided into three sections or "Axes" - the Axis of Exile, the Axis of the Holocaust, and the Axis of Continuity. I chose to explore those sections in that order, which was no accident. If you're paying attention, the museum forces you to make that choice, and it has a real impact on how you end up experiencing the museum.
The Axis of Exile takes you through the Jewish emigration beginning in the early 30s, and tells the stories of Jews fleeing an increasingly hostile Germany (and Europe). The walls list the destinations of many of these emigres, and also show some of the stories of individual immigrants (refugees) who had to pack up their lives as they saw a darkening on the horizon.
The Axis of the Holocaust, as you might imagine, is the most troubling part of this museum, but not for reasons you might think. First, the floors are purposefully slanted, leaving you with a constant sense of unease as you walk the path. Second, the displays in the walls are set behind windows that have been mostly blacked out, except for a circular "viewing section" no more than a foot in diameter. The result? You have to get up close to the windows to be able to view the artifacts, read the stories about the people they belonged to, and see pictures of those people. Forcing you to get up close to the display creates a sense of intimacy between you and what you are viewing - up close, you see people with features, expressions, and individuality. Step two feet back, and you see pictures, not people. It's an unsettling experience, which is what it's meant to be.
The Axis of Continuity is laid out more like what you'd expect of a traditional museum, and takes up the bulk of the museum's space -- walls and floors host objects relating to Jewish history in Europe (going back hundreds of years, not just the last century), placards give you names, dates, and descriptions. It's a celebration that stands in stark contrast to the dark, but brief (by comparison) period that the other two Axes cover. It's a fitting tribute to a people that deserve to be recognized as more than the Nazis' scapegoat.