MengZhe Z.
Google
As a family that frequently seeks out Michelin-starred experiences during our travels, we had thoroughly researched Rio de Janeiro’s fine dining scene before our arrival.
201 CASA, with its refined menu design, discreet location, and understated yet confident interior, quickly became one of our most anticipated stops on this culinary journey. Our experience began rather dramatically. The restaurant only offered an 8:00 p.m. seating, and we arrived about thirty minutes early. Its unassuming façade and firmly closed doors initially made us doubt whether we were in the right place. Situated on a narrow one-way street where surrounding shops close early, the area can feel slightly uneasy for first-time visitors unfamiliar with Rio’s urban rhythm. Parking proved difficult for those driving, and because we arrived early, we wandered aimlessly around the quiet street. When we returned at 7:50 p.m., we were surprised to see the dining room already partially filled, with several tables enjoying appetizers and wine. It became apparent that the stated 8:00 p.m. entry time was not strictly enforced.
Service and Guest Experience On the service side, 201 CASA has yet to fully adapt to the needs of international guests. Once seated, our server quickly realized we did not speak Portuguese and kindly offered my family an English menu. However, I was never given one myself. We ultimately found ourselves huddled around a single English menu, passing it back and forth. While seemingly minor, such oversights are noticeable in a fine dining context.
Space and Layout
The dining area feels somewhat compact, with tables positioned closely enough to limit privacy. For business dinners or intimate gatherings, this may not be the ideal setting. As I observed the interior, I noticed that the open kitchen sits immediately beside the restroom—a design choice that raises questions about spatial planning. The sight of an open restroom door adjacent to a Michelin-caliber kitchen creates an awkward juxtaposition that subtly undermines the sophistication of the room. Inside, the restroom lighting was dim, and a small pool of water on the floor had not been attended to—enough to risk dampening one’s trousers. A faint lemongrass scent helped redeem the space slightly, though the restaurant’s single restroom inevitably caused a queue during peak hours. Because the entrance is adjacent to the kitchen, standing there felt intrusive and inconvenient for the staff’s movement. On several occasions, I had to return to my table to wait for the next available moment—only to nearly miss it again. Situations like this should not occur in a high-end dining environment.
We began the meal with sparkling water and a trio of bread accompanied by garlic butter that leaned too heavily on the garlic, overpowering the natural richness of the butter. What followed revealed inconsistencies in service pacing. On two occasions, plates were removed from my setting before I had finished eating, seemingly due to an assumption that the entire table had concluded the course. In a restaurant of this caliber, a simple inquiry—“May I clear your plate?”
201 CASA is the first restaurant where I’ve experienced staff continuously opening new bottles of sparkling water without request. Even as our pace slowed midway through the meal, another bottle was opened enthusiastically—without prior confirmation. While the gesture might have been well-intentioned, it overlooked both rhythm and consent. The charge for water was not excessive, but the lack of consultation left a poor impression. By the time we had completed ten courses and a bottle of white wine, we were left with a freshly opened bottle of sparkling water that felt more like a task to finish than a courtesy to enjoy.
Final Assessment
201 CASA is not an unpleasant experience—but it stops short of being memorable.
At this price point, Rio de Janeiro offers a wealth of other restaurants that combine creativity, authenticity, and value with greater consistency. We sincerely hope to see 201 CASA refine its details in the future.