Les M.
Yelp
With the passing the same day on July 30, 2007 of film-makers Ingmar Bergman and Michaelangelo Antonioni it makes sense to remember that film both then and still now is largely a commercial enterprise targeted at the lowest common denominator: the masses largely interested in action--cheap thrills and stupefyingly numbingly cliches, usually--, one-liners, and loads of popcorn...
http://www.nytimes.com/2007/08/01/movies/05scot.html?_r=1&8dpc&oref=slogin
Although I have only been there once or twice since it opened (it used to be on 19th Ave. E. near St. Joseph's), I can attest to this being the least "commercial" movie theater in Seattle, with very fine, programming, including art, foreign, "independent,"experimental, documentary, and classic film.
Where else could we have seen a stunningly haunting, psychologically resonant neo-Italian realist film version of Gian-Carlo Menotti's opera "The Medium" (think The Alfred Hitchcock Hour," "Turn of the Screw," and "La Strada" set to a modernist Puccini)?
Or a few years, an exhibition/film festival/symposium
on Slovene contemporary art?
A strikingly original, funky space, with two very comfortable screening rooms, gallery, bar/cafe, large windows that look out onto the increasingly "in" 12th Ave. scene.
This one-of-a-kind non-profit venue clearly stands head and shoulders above the Landmark Theaters (excepting possibly the Harvard Exit, Seven Gables, and Egyptian) in its selection of not-often-seen, mostly non-commercial fare.
What about "revisiting" films by such cultural/intellectual luminaries and film-makers who have passed away recently, such as Susan Sontag ("Brother Carl"), Arthur Miller ("Playing for Time" or "Misfits"), Gian-Carlo Menotti* ("The Medium"** or "Amahl and the Night Visitors," Bergman ("Cries & Whispers," "Persona," "Scenes from a Marriage"), Antonioni ("L'avventura," "L'eclisse," "Blow-up"), etc.? (Robert Altman, despite his iconic maverick status, worked within the Hollywood studio system, as far as I know).
[The Big Picture in Belltown used to be adventurous ("The Station Agent," the Robert McNamara documentary, "Fog of War," the documentary on the influential architect Louis Kahn, etc.). In the past year, it has turned to VERY standard Hollywood fare ("Dreamgirls," "Casino Royale") that could seen at any multiplex. A duplication of effort --the Meridian 16 rabbit-warren downtown usually has "first dibs" on this sort of fare].
This and the Harvard Exit are my two favorite movie theaters in Seattle.
*http://www.nytimes.com/2007/02/01/arts/music/01cnd-menotti.html?ex=1327986000&en=7ef65dc15876a946&ei=5088&partner=rssnyt&emc=rss
** http://www.amazon.com/Menotti-Medium-Powers-Alberghetti-Schippers/dp/B00006ADF9/ref=pd_sxp_grid_pt_0_1/002-2763930-2716018
Also recommended:
The Warren Report, in the old Carnegie Free Library in Ballard:
http://seattle.thewarrenreport.com/default.asp