Timur Gavrilenko
Google
To me, a film lab should provide a feeling of safety—a place where people have so much experience that no matter the problem, they know the cause and the solution. With a professional approach to film, there are many variables, and the only way through is with clarity.
I have been using NYC Film Lab as my main lab because of their familiarity with the ECN2 process and supply of Silbersalz film, while being very reasonable price.
I have processed about 50 rolls now with NYC Film Lab, and some came back with results that I wasn’t expecting. I am happy to report that together with the lab, I was able to look at the film strips and figure out which film was actually expired or damaged, or which could be improved with a re-scan. While our relationship is only starting, It’s already very fruitful. Looking forward to our further collaboration!
FYI:
- X-large TIFFs are full scans from the Noritsu scanner, which are 16-bit and around 6k resolution.
- Pro Camera Scans are DSLR scans that are even larger, with around 12k resolution and 12-bit, but with overscans that you will have to crop.
Scans attached are unedited 35mm scans from the Noritsu in ECN2, C41, and B&W. The white border is ECN2 on Pro Camera Scans.