Perry S.
Yelp
Thanks for the memories. The music, not so much.
"Beehive" is yet another in a long line of musical productions intent on capturing an era. The music is from the 60s, an important decade in modern American history, and the music of the time certain reflects the times, and the changes that occured over the course of the decade, bubblegum tunes such as "The Name Game and Be My Baby," to profound, deeply emotional songs such as "Abraham, Martin and John" and "Me and Bobby McGee."
Entering the building lobby on a warm summer evening, one is hit by a strong musty smell. There is an air quality issue with this old building to which patrons are being exposed through the air conditioning system, and it's really off-putting. With all of the updating the new owners have done, could they have overlooked this important concern?
That said, the Old Log's production of "Beehive" is, sadly, lacking on a number of counts. Overall, the production values were closer to a high school class play than a professional production.
Pop music is always a reflection of the times in which it is written and performed, and the music of the 60s is no exception.
The 7 actors playing various "girl groups" blasted their way through the production at warp speed, trading off delivering narrative passages explaining key events that occured during the decade that sets up a song or a set. But they mostly delivered their lines as fast as they could with little, if any, emotion that conveyed the significance of what they were saying.
WIth a few notable exceptions, the performers never came close to the raw emotion or delivery of the original performers. Like so many of the songs, "My Boyfriend's Back," certainly brought back memories. But the original version, performed by The Angels in 1963, has a "street" feel that the Old Log cast totally missed. Perhaps because they didn't live during that time, or the director failed to impart the nature of the times that spawned the music.
From a staging, lighting and performance standpoint, "Abraham, Martin and John" was, by comparison to most of the other songs, meaningful and heartfelt.
I'm not sure what, if any, meaning the large backlit circles had, other than to occupy space. The wigs, which changed often, seemed from the 5th row to be tacky and cheap. Same for the costumes; they appeared to lack a level of quality that professional stage productions otherwise strive to present.
All in all, "Beehive" is a great trip down memory lane. Too bad that these bumps in the road spoiled the trip.