Douglas Mutay
Google
The Atomium is, without a doubt, one of the most stunning and unique pieces of architecture in Europe. Even getting to the site in Brussels, the massive, gleaming structure—a representation of an iron crystal magnified 165 billion times—is absolutely breathtaking. For that external view alone, the trip is entirely worth it. Taking the elevator up the central axis to the top sphere is a thrilling experience, and the panoramic views from 92 meters up offer a fantastic perspective over the city and the surrounding Heysel area.
However, the overall experience inside the spheres was very different from what I had anticipated. I went in expecting a straightforward science museum, perhaps a deep dive into atomic structure and the history of the 1958 World Expo it was built for. While there is a permanent exhibition dedicated to Expo 58, which is genuinely interesting for history buffs, the rest of the tour felt like a delightful, if slightly jarring, contrast.
Moving between the spheres via those long, tunnel-like escalators—which are a spectacular sight themselves, illuminated with dancing colored lights—felt less like moving through a museum and more like exploring a futuristic spaceship. One sphere, in particular, was home to a completely immersive, psychedelic digital art installation. It was loud, pulsing with light, and utterly captivating, turning the space into something like a high-tech art gallery rather than a historical exhibit.
In the end, I'd say the Atomium is a good visit, but be prepared for an unexpected journey. You go for the iconic, monumental architecture and stay for the strange, often trippy, contemporary art installations hidden inside. It’s a wonderful landmark, just a wonderfully strange museum.