Mike W.
Yelp
As Jennie H. on here said, "phenomenal". Seriously. The museum is housed in an old house in a slightly out-of-the-way part of town (though not really that hard to get to at all from downtown) and I wasn't sure exactly what to expect. Indeed, the museum went far above and beyond anything I could have hoped for: a consummate, well-curated collection of traditional African art objects from a variety of cultures. Our tour was guided by Dr. Edwin Johnson, a scholar of African art and former professor at the Savannah College of Art and Design of art history. Thus, the quality of the tour was as good or better than you'd get at any of the nation's major art museums. And this at a free museum in a small city? Very impressive.
The artwork on display included some amazing bronze figures, masks, carved wood objects, beadwork, and much more. I was not really expecting the sheer depth nor scope of the work they had here, and yet apparent around 40 percent of the collect still is in storage and not yet on display, I presume due to finding the space to house it all. While the building is large and the rooms of this old house have been very well converted into gallery spaces with appropriate lighting, there doesn't seem to be much space free to spare. Nothing seems crowded, but none of the gallery spaces are wanting for artifacts, either.
Savannah has a large African-American population and one tied to the very founding of the state and nation. It seems fitting that we also have a museum of traditional African art located here, because while this collection should appeal to everyone, I really hope that the ready accessibility may allow people who may not typically travel to larger cities or when they do seek out this type of collection. I hope the location will encourage other arts-minded projects for Savannah. The city is very fortunate not only to have this collection, but that it has been so well-curated, also. It should also be a stop for tourists to Savannah: much of what tourists see in Savannah's historic homes and museums is still, honestly, the work of white men long ago. And yet African-Americans are the majority of the citizenship of the city today and have long played a crucial, often not-acknowledged, role here. Seeing their roots and the diversity and majesty thereof is beneficial to us all.