Emily H.
Yelp
Call me a bad Louisvillian. I had only visited the Speed Art Museum once before it closed for its major renovation, and it was only for a few minutes at that.
But consider my ignorance corrected. My eyes are open -- to the art and Speed's place as a world-class institution. Now that the Speed has reopened, renovated and with its new wing, I can't wait to bring new people to wander its hallways and look at its masterpieces.
I took in the Speed on Sunday, when admission is free, thanks to a generous donation by Brown-Forman. (But important to know: Parking in the adjacent structure costs $7.)
I started in the older section of the museum. Don't let the fact that this area is dated temper your expectations. The bulk of what you can see is in this area, and it ranges from Kentucky art to African, Renaissance to Native American, sculpture to paintings to fashion.
But more than the variety, I was most impressed with how everything was curated. I have been to the Art Institute of Chicago, Detroit Institute of Arts, the J. Paul Getty Museum. And more than even all of those, I felt like the Speed pulled me in through not only presenting amazing works but by also what these were displayed by and their descriptions.
For example, among all of the Native American artwork hangs a giant portrait of Russell Means, the Native American actor and activist, by Andy Warhol. The Speed's art isn't only characterized chronologically, geographically and by art movement but also by topic.
And the descriptions on the wall not only tell the name of the piece and its maker but help you understand it. A large portrait of Sallie Ward, a Louisville debutante from the 1800s, hung next to a portrait of a French actress that lived more than 100 years before her. The plaques talked about the importance of context to understanding art and especially portraits. Were the pieces meant to show how the subject is magnanimous or different from what others thought of them? How is the subject's personality portrayed? These were two of the first pieces I came across and helped set the tone for evaluating the art during the rest of my visit.
Similarly, guests to the Kentucky Gallery are asked, "Who is Kentucky?" It challenges the viewer to think about how objects and subjects shape how we connect to place. The Speed contains items from around the world, yet it also doesn't forget its home state. As a Kentuckian, I appreciate that.
And now, the Speed has a new wing that houses modern and contemporary art. While the old part of the Speed is somewhat meandering, the new building is open.
The art on these floors includes film, photography, mixed media, sculpture and painting. They tackle race, sex, patriotism, the media, identity.
And the docents were particularly great about pointing out must-sees. On the top floor, there is a doll wearing a hoodie, sitting in a chair. If you are just walking by, it might strike you as spooky. The eyes are black holes. But if you kneel on the floor and look up into the dolls eyes, as the docent showed me, you can see up into the doll's head and see the eyes, projecting, staring back and occasionally blinking.
My only complaint with the whole museum, really, is the obscure photo policy. While looking at one of the contemporary pieces, one of the museum's employees rushed up to me, telling me that photos of certain pieces are prohibited. In the older section of the museum, some of the plaques have a camera icon with a slash through it, and I had been looking for that same icon before taking photos on the new floors. I understand that the museum may not have copyrights on all of its pieces and doesn't want to violate any rules. But at the same time, you'll find hashtags around the museum that encourage photos.
The museum worker pointed, somewhat flustered, to the map brochure in my hand where it says that photos of loaned pieces are prohibited. And then she pointed to the tiny ID number at the bottom of the plaque, which contained an "L" in it. If there is an "L" in the ID, that means it is on loan, she said.
Nowhere in the program is this explained -- that the "L" means loan. I really wish it had been. I was embarrassed, considering I was corrected among a group of people, and I cut short my time on that floor. It was a large distraction.
Other pluses to the Speed include the Art Sparks area for children. This popular area was full of interactive activities. Adults were taking part, along with children.
The Speed has some fantastic large event spaces and terraces that are worth a look. It hosts regular events.
The gift shop is also chock full of interesting finds. I spent about six months after graduating college working in the Chicago Symphony gift shop and ever since then, I have a soft spot for high-end gift shops.
All in all, I can't wait to go back to the Speed and bring new people with me. It's a Louisville treasure that every resident and visitor should experience.