Greg T.
Yelp
After reading the script for 'Harry Potter and the Cursed Child' when it was first published in 2016, I was skeptical of the whole affair. The script was - and remains - fan fiction, employing questionable plot devices to revisit several key moments from the seven novels and films. But, several friends, including one with particularly discriminating taste in theatrical productions, had noted that Harry Potter and the Cursed Child was the best play she had ever seen. With that endorsement, I shelled out $$$ for orchestra tickets to Part One and Two, and was not disappointed. And, you won't be either!
You may have seen the advertisements for the play on TV, but the clips do not do the production justice. Witnessing the technical wizardry unfold on the stage is, for lack of better words, magical, and you'll be surprised by how the special effects transport you to the world of Harry Potter if only for a few hours. Aside from the incredible special effects, the actors do a brilliant job of inhabiting their characters, delivering lines with enough panache or gravitas to elevate the source material. (Hats off to the actor who played Scorpius!) While the play is accessible to all audiences, its themes will resonate with an older audience that understands the burdens of parental expectations and personal guilt. Whether you're familiar with Harry Potter or not, you'll appreciate the labor involved in making this one-of-a-kind production come to life.
Practical Matters:
+ Patrons have the option of viewing both parts on a single day (Wednesdays, Saturdays, or Sundays) or over two evenings (Thursdays and Fridays). If you're a local, commuter, or visitor, then seeing the two plays over two nights is probably more feasible and enjoyable. Otherwise, making the trek into downtown San Francisco on two weeknights probably isn't ideal. It's a long day, with each play clocking in over 2.5 hours. There were a number of kids fidgeting in their seat by the time the curtain rose on the second part due to the length, so keep that in mind
+ The seats at the Curran Theatre are not staggered, so you'll likely be angling your body to avoid staring into the backside of a stranger's head. However, seats along the left and right sections' center aisles offer good vantage points. And, the orchestra section begins to rise more steeply around Row K or L. Avoid sitting too close (rows AA-B), as you'll likely miss some action at the back of the stage.
+ The ushers will not let you return to the theatre if you leave to use the restroom. This creates long lines for the bathroom during intermission, so plan (or drink) accordingly.
+ Parking garages near Union Station charge upwards of $30-40 for all-day parking. Consider taking BART to Powell.
+ Make dinner reservations for your chosen restaurant in advance! Most sit-down restaurants in the immediate area do not open until 5PM or 5:30PM, and any time spent waiting to be seated might make you late to Part Two.