Elizabeth H.
Yelp
I'm absolutely addicted to interactive theatre experiences and even kickstarted this Boxcar Theatre endeavor when it popped up on my FB many moons ago. I've been looking forward to checking out The Speakeasy since I got their email at the beginning of the year, and even bought a plane ticket specifically to go to this little shindig.
So with all those disclaimers out of the way...
Their last performances are in June (special deals for Wed night), so give yourself this little indie theatre treat before they leave the building. If you think you're familiar with this type of experience, you'll be surprised. I was.
This is a much smaller and more intimate production than Temple Studios' shows like Speak No More. So comparisons are unwarranted. You're also not a masked figure here. The characters can see you. So it's not trying to be the same thing at all.
So here's what I got: 8 PM tickets with assigned table seating, one bag of poker chips, and two slots for the after-party. All totally worth it.
8 PM entry was perfect. All patrons are actually expected to enjoy the cabaret for a set amount of time before the "show" truly begins and you're led into the other rooms. Since you can't really wander until the cabaret completes, 8 PM gives you time to sample the stage show, enjoy a few drinks, and get yourself situated into the pageantry of it all.
**Note: Your ticket time changes where you actually enter. 8 PM patrons go through a different door than earlier patrons. It's a very nice touch on their part to have multiple points of entry.
They stagger individual parties when giving directions from the start point. I appreciate this, so you don't just end up following one another. It's actually a little adventure in and of itself just trying to find the speakeasy in the first place. So the atmosphere is being built up even before you arrive. When we first questioned a certain individual on where to go, there were actually quite a few other patrons dressed up and mulling around (to the interest of many passer-by's), waiting for their opportunity to ask for the same help. So don't wait for someone to walk up to you, they won't. You'll have to take initiative.
In response to some reviews:
- Yes. The drinks all taste the same and are borderline unpalatable. Consider that most illegal alcohol was bathtub gin and moonshine, and you'll begin to appreciate the rather authentic experience, haha. Though kudos to the bartender for whipping up a few concoctions "more suitable for a lady."
- Yes, the cabaret show is cheesy and irritating. I honestly think that's because in this created world, the speakeasy is run by a sleazy proprietor who dominates his generally meek stage girls, conceals a dirty casino in a back room, and could care less about your "good time." It makes sense to the context of the story that these aren't first-rate acts.
Definitely stay for the after-party, if only for an hour. Though it was so much fun, we ended up staying till they kicked us out... Not only will it give you a deeper appreciation for what goes into this show, you'll also get a chance to mingle with the actors and staff (more than 80 people make this show happen each night), have many of your curiosities answered, see the scenery in a different light, and take pictures inside. So dress to the 10s.
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My suggestions to the production should they decide to apply this concept elsewhere in the future:
1) Slow motion during particular soliloquies was a nice touch. However, not all actors were doing their part to maintain this effect, and it was lost to more than a few people. The bartender (and casino dealers, etc) should also be affected. You can time it so he's speaking with a particular character before another's monologue starts up. If he's taking an order or conversing with a patron, have another actor interrupt the exchange and get his attention.
2) What you need for the next production are speakers linked with microphones on the actors. Definitely get a good sound engineer. That way, their voices penetrate into the room and are audible to even the casual listener. Even after putting a spotlight on the characters and gathering the audience's attention, lots of dialogue was lost to the crowd many times. For me in the lounge area, even while seated on the chaise, it was difficult to deliberately listen to the conversation happening at the bistro table directly adjacent.
3) Lastly, I know that many of you have clown and improv schooling. Still, given the direct face-to-face interaction, this is the type of show that requires an actor to be on their toes all night. And a few of you need to work on how to gracefully flub lines. When you respond to a verbal stumble by correcting yourself, you draw the more discerning patrons out of this carefully constructed fairytale. Don't worry about repeating your lines the same every time. It's about effectively getting your character's point across. Sell that and you're set.