Catch One
Night club · Arlington Heights ·

Catch One

Night club · Arlington Heights ·

Multi-level nightclub with DJs, electronic musicians & rappers

security issues
expensive drinks
rude staff
long lines
multiple rooms
safe space
parking issues
great music
Catch One by null
Catch One by Infatuation - Reviews
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null
Catch One by null

Information

4067 W Pico Blvd, Los Angeles, CA 90019 Get directions

$$

Usually a wait
Restroom
Accepts reservations
Trendy
Good for groups

Information

Static Map

4067 W Pico Blvd, Los Angeles, CA 90019 Get directions

+1 323 737 1159
catch.one
@catchonela
𝕏
@catchonela

$$

Features

•Usually a wait
•Restroom
•Accepts reservations
•Trendy
•Good for groups
•Credit card accepted
•Debit card accepted
•Contactless accepted

Last updated

Dec 16, 2025

Powered By

You might also like

Terms of Use • Privacy Policy • Cookie Policy
 © 2026 Postcard Technologies, Inc.
@eater
391,482 Postcards · 10,994 Cities

LA’s Trailblazing Founder of the Iconic Nightclub Jewel’s Catch One Dies at 86 | Eater LA

"Founded in 1973 by Jewel Thais-Williams — known affectionately as Mama Jewel — this Arlington Heights nightclub on Pico Boulevard near Crenshaw operated for 42 years after Thais-Williams purchased the building in 1972, which had previously housed the Diana Ballroom. She opened the space as a welcoming venue for queer Black and Latino patrons, the transgender community and gay clubgoers; in a 1995 interview with LGBTQ+ series In the Life she said Black patrons experienced hostility and discrimination at Los Angeles queer clubs and wanted to open a venue where everyone was welcome. Reflecting on the economic climate of the early 1970s, she explained her business reasoning: "People party and have a good time and drink when they can’t afford to do anything else," said Thais-Williams. As the venue launched she inherited the Diana Ballroom’s daytime crowd of retired white locals, straight Black blue-collar workers in the after-work hours, and a queer crowd late at night; the expansive space featured two separate dance floors, multiple bars, DJs, strip shows, card games and live music. During the 1970s she faced restrictive laws and harassment — California barred women from bartending unless they owned the venue, there were legal restrictions on same-sex dancing, and the Los Angeles Police Department at times intimidated or arrested patrons, sometimes entering the building brandishing guns. Lillian Faderman observed that "The LAPD was just merciless in their raids of gay bars." The club became a disco-fueled magnet that hosted or drew crowds to see recording artists like Donna Summer, Chaka Khan, Sylvester, Rick James and Evelyn "Champagne" King, and it wasn’t uncommon to find legends such as Ella Fitzgerald, the Weather Girls, Bette Midler and Whitney Houston simply hanging out; Madonna even hosted a release party there for her 2000 album Music. Beyond nightlife, Thais-Williams used the venue as a resource hub — hosting Alcoholics Anonymous meetings — and expanded into activism and services: in 1989 she and her wife Rue Thais-Williams opened Rue’s House to provide healthcare and social services to women and children living with HIV and AIDS, she co-founded the Minority AIDS Project and served on the board of AIDS Project Los Angeles. She opened a short-lived Houston outlet in 1982, and after four decades announced the club’s closure following its sale in 2015; the current venue using the same name is not associated with her original operation. Her life was later captured in a 2018 documentary distributed by Ava DuVernay’s production company, Array. She is remembered as a force in Los Angeles’s queer community and is survived by her wife and partner of 40 years, Rue, and siblings Carol Williams, Lula Washington and Kenneth Williams." - Mona Holmes

https://la.eater.com/restaurant-news/286293/las-trailblazing-founder-of-the-iconic-nightclub-jewels-catch-one-dies-at-86
Catch One
@infatuation
132,805 Postcards · 3,235 Cities

Where Joel Kim Booster Eats (& Parties) In LA - Los Angeles - The Infatuation

"Since I couldn't put, 'Random Warehouse in Skid Row' on my list, I was thinking about the places that I actually have had a lot of fun going out at, and Catch One is a really special place. It's a Los Angeles landmark. It is one of the first Black safe spaces as a club in LA. There's such a rich history there. And it's also where I shot my Netflix special because I wanted to shoot at a place where I've partied with good vibes and energy and memories. It's very eclectic. I've seen Honey Dijon play there, and I've gone to Burning Man parties there. I think you'll notice a theme in a lot of places that I like to party: I need space. I did my time in New York. I know what it's like to be crammed into a small bar. If I'm going to be living in LA, I need to go to a place where there are multiple dance floors so that I never feel like I have to touch another person unless I really want to. If people come to LA and are looking for a place to party and hear good music and dance, Catch One is definitely it—especially if you see a club called Rhonda is at Catch One. They do parties all over LA at different venues, but the ones at Catch One are the best. Rhonda is a mixed party. It is not exclusively queer, but it is predominantly queer. But if you're a straight person and you're visiting LA and you wanna party like me, go to Rhonda and you'll be comfortable. Everyone is welcome there and you'll see some looks, you'll hear some great music, and you'll get to explore this insane maze. It really does feel like the Hogwarts Castle there. Every time, I'm like, 'Wait, how did I get to this room? And where has this room been?' You'll wander down a random staircase and find a different DJ and a smaller dance floor." - brennan carley

https://www.theinfatuation.com/los-angeles/guides/joel-kim-booster-favorite-restaurants-bars-los-angeles
Catch One
@infatuation
132,805 Postcards · 3,235 Cities

Catch One - Review - Los Angeles - The Infatuation

"Since I couldn't put, 'Random Warehouse in Skid Row' on my list, I was thinking about the places that I actually have had a lot of fun going out at, and Catch One is a really special place. It's a Los Angeles landmark. It is one of the first Black safe spaces as a club in LA. There's such a rich history there. And it's also where I shot my Netflix special because I wanted to shoot at a place where I've partied with good vibes and energy and memories. It's very eclectic. I've seen Honey Dijon play there, and I've gone to Burning Man parties there. I think you'll notice a theme in a lot of places that I like to party: I need space. I did my time in New York. I know what it's like to be crammed into a small bar. If I'm going to be living in LA, I need to go to a place where there are multiple dance floors so that I never feel like I have to touch another person unless I really want to. If people come to LA and are looking for a place to party and hear good music and dance, Catch One is definitely it—especially if you see a club called Rhonda is at Catch One. They do parties all over LA at different venues, but the ones at Catch One are the best. Rhonda is a mixed party. It is not exclusively queer, but it is predominantly queer. But if you're a straight person and you're visiting LA and you wanna party like me, go to Rhonda and you'll be comfortable. Everyone is welcome there and you'll see some looks, you'll hear some great music, and you'll get to explore this insane maze. It really does feel like the Hogwarts Castle there. Every time, I'm like, 'Wait, how did I get to this room? And where has this room been?' You'll wander down a random staircase and find a different DJ and a smaller dance floor." We haven’t been here yet, but want you to know this spot exists." - Team Infatuation

https://www.theinfatuation.com/los-angeles/reviews/catch-one
Catch One
@infatuation
132,805 Postcards · 3,235 Cities

Afro GoGo: The African Fiesta - Review - Los Angeles - The Infatuation

"There’s an African dance party happening down at Catch One in Mid-City where the party starts at 10pm on Saturday, July 17th and goes until 2am. There will be DJ sets and different performances highlighting music from all over Africa. General admission is $20, but if you book in advance, it’s only $10. We haven’t been here yet, but want you to know this spot exists." - Team Infatuation

https://www.theinfatuation.com/los-angeles/reviews/afro-go-go-the-african-fiesta
Infatuation - Reviews
Catch One
@eater
391,482 Postcards · 10,994 Cities

Quentin Tarantino Takes Big, Boozy Step Towards Reopening Vista Theatre | Eater LA

"I'm noting that the cocktail festival Art Beyond the Glass runs Sunday, June 26 from 3 p.m. to 7 p.m. at Catch One, featuring live music, food, an art gallery and market area, and lots of cocktails; tickets are $55 and benefit hospitality non-profit Another Round Another Rally." - Farley Elliott

https://la.eater.com/2022/6/24/23177365/am-intel-morning-briefing-restaurant-news-los-angeles-quentin-tarantino-vista-alcohol-license
Catch One