Bex Groebner
Google
Elizabeth Dye is not just a dressmaker, she’s an artist and a listener and someone who really honors the individual. From the moment I walked into her light-filled studio I felt something shift. Her space felt calm, creative, and rebellious in the best way. Like a soft yes in a world full of no.
Before that, I had gone to a few of the big bridal stores in town and honestly, I left in tears. I’m 47 and the whole thing made me feel like my body was wrong. Like I didn’t belong. The bridal industry in general is so gross and patriarchal and full of subtle (and not-so-subtle) messaging that’s just intolerable.
I walked into Elizabeth’s studio still carrying all that and thinking maybe this would be more of the same. But it wasn’t. What I found was a safe space for women, where we are actually listened to, where our bodies are treated as treasures, not problems. She asked questions, she saw me, and she understood the vision for our Moth and Moon wedding like she was inside it with me.
And on top of all that, she’s incredibly smart. Like, deeply knowledgeable about the history of fashion in this way that’s generous and fascinating. She taught me things I never knew, like how sequins used to be made of gelatin and melted near the underarms where we sweat. Being around her made me fall in love with the artistry of clothing.
She made me something so beautiful it felt like a poem. I wore it without shapewear, without even a bra (!!), and I felt amazing. Because it wasn’t about squeezing myself into something, it was about being held, adorned and celebrated and being able to bring our vision for our love into the world.
Elizabeth is doing something really rare. If you get the chance to work with her, take it. I’m still glowing.