A. W.
Yelp
Highways, sprawl, modern and historic ghost towns, abandoned vehicles, legal and illegal dumps, canals, mining operations, and roaming livestock are just a few of the many indicators of human relationships to landscape and space. The Goldwell Open Air Museum offers an alternative to such market-driven mark making.
In urban environments, it's not unusual to see large-scale art at the entrance to municipal buildings and shopping centers. Often called plop art, these works serve mostly financial and space-filling purposes, plopped into random locations free of meaningful spatial context. They do not typically address, nor are inspired by the environments they occupy. While some succeed in doing so much more than others, the site-specific works you'll encounter at the Goldwell Museum directly implicate their surroundings, and would be completely empty if not for the desert context in which they exist.
This is work about space and place, a space and place that happens to be nuzzled up against an historic ghost town at the edge of an unrelenting, sky-filled void, with an atmospherically crisp quality of light. The free, self-guided outdoor museum presents permanent works and installations spread across nearly 8 acres. It seems the well-curated collection of work grows in spurts every few years. If it's been a while since your last visit, the new Portone by Amanda Phingbodhipakkiya is a stunner, dancing in color and shadow rhythm with the arcing sun.
Other reviews, especially those of Rhyolite, would lead you to believe the Goldwell Museum is in some way an extension of Rhyolite. It most certainly is not. Rather, the Goldwell Open Air Museum is Rhyolite's counterpoint. If Rhyolite provides a glimpse into the past, the Goldwell Museum asks questions of our future- among them, can art change the world? While it may be too early to tell, what is clear is that the Goldwell Museum presents the possibility to better understand the responsibilities we carry as we interact with the spaces we occupy. That may not in and of itself be change, be it's a solid start.